{"title":"Avant \/ Free Jazz","description":"","products":[{"product_id":"pharoah-sanders-love-is-here-the-complete-paris-1975-ortf-recordings","title":"Pharoah Sanders  -  Love Is Here - The Complete Paris 1975 ORTF Recordings","description":"\u003cp\u003eTranscendence Sounds presents Love is Here - The Complete Paris 1975 ORTF Recordings, a monumental archival release capturing Pharoah Sanders' full performance at Maison de la Radio’s Studio 104 in Paris on November 17, 1975. Mastered from the original stereo tapes by Matthew Lutthans, this set is one of the final major unreleased treasures of spiritual jazz.\u003c\/p\u003e\n\u003cp\u003ePerforming with Danny Mixon (piano, organ), Calvin Hill (bass), and Greg Bandy (drums), Sanders delivers an expansive and deeply expressive set, featuring the meditative pipe organ improvisation, the three-part suite Love is Here, and renditions of Coltrane’s Moment’s Notice and Lazy Bird. The performance reaches a euphoric climax with Love is Everywhere, shared with the audience.\u003c\/p\u003e\n\u003cp\u003eCaptured after Sanders' departure from Impulse!, the concert represents a shift toward a more spiritual, cosmic voice while still retaining his raw intensity.\u003c\/p\u003e","brand":"Dreamhouse Records","offers":[{"title":"2LP","offer_id":55534678966658,"sku":"DHR-04711","price":35.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/7411d7f43815706ee50ae113a9316fd3.jpg?v=1754567653"},{"product_id":"limpe-fuchs-mark-fell-dessogia-queetch-fauch","title":"Limpe Fuchs \u0026 Mark Fell  -  Dessogia \/ Queetch \/ Fauch","description":"\u003cp\u003e\u003cspan\u003eThe 2015 edition of Winnipeg’s send + receive festival, focussed on rhythm, turned out to be a generative meeting of minds. There, Mark Fell encountered the music of Will Guthrie, a meeting that was eventually to result in the frenetic acoustic drumkit and digital synthesis pairing heard on Infoldings and Diffractions (2020). At the same festival, Limpe Fuchs first heard and appreciated the music of Mark Fell, planting the seed of a collaboration that came to fruition when Fell (along with his son Rian Treanor) visited Fuchs at her home in Peterskirchen, Germany in September 2022. Black Truffle is pleased to announce the release of the results of this extensive session in the audacious form of a triple LP, housing over two hours of music across its six sides.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe collaboration might appear unlikely: what common ground could exist between Fuchs, classically trained pianist, legend of improvised music, instrument builder and sound sculptor active since the 1960s, whose group Anima Sound connected the dots between free jazz, krautrock and ritual, and Fell, proponent of radical computer music, known for his bracingly austere productions that twist remnants of club music into algorithmic stutters? For all their seeming disparity in technology, approach and background, the\u003c\/span\u003e\u003cspan\u003e music on Dessogia\/Queetch\/Fauch makes it immediately evident the pair share a great deal in their essentially percussive approach and ability to, in Fuch’s phrase, ‘establish silence’.\u003cbr\u003e\u003cbr\u003eRecording at her home studio, Fuchs had the use of her entire array of instruments, found, invented, and traditional, and treats the listener to some that don’t often make their way to concerts, including extensive passages performed (with Gundis Stalleicher) on pieces of wooden parquetry. Alongside metallic, wooden and skin percussion of all kinds, sounded and struck in every conceivable way, we also hear bamboo flute, viola, and Fuchs’ distinctive free-form vocalisations. Fell also stretched himself, with his contributions ranging from characteristically fizzing pitched percussive pops to swarms of sliding tones and abstract digital noise. Showing both remarkable restraint and improvisational freedom, much of the music consists of duets between a single percussion instrument and a distinctive mode of digital sound, often lingering in one timbral-rhythmic space for minutes at a time. Improvisational forward momentum coexists with a free-floating, wandering quality. On opener ‘Dessogia I’, the shimmering almost-gilssandi tones of Fuchs’ enormous set of microtonally tuned metal tubes ripples across Fell’s rubbery pulse, which moves up the frequency spectrum as Fuchs becomes more animated and switches to horn. At some points, as on the metallic chiming tones that open ‘Fauch I’, only the unexpected dynamic behaviour of Fell’s sounds distinguish them from Fuchs’ acoustic instruments. At others, like on ‘Queetch III’, the waves of sliding tones and noise textures are bracingly synthetic, joined by piercing squeaks and scrapes from Fuchs’ metal objects.\u003cbr\u003e\u003cbr\u003eEpic in scope, immersing the listener in an entirely distinctive world of sounds, and thrillingly bold in its melding of the most ancient musical procedures with cutting edge technologies, Dessogia\/Queetch\/Fauch is an unexpected major statement from two of the great mavericks of contemporary music.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dreamhouse Records","offers":[{"title":"3LP","offer_id":55894014787970,"sku":"DHR-05160","price":47.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/8024733743ebeb087ba596ae0dda7905.jpg?v=1761851049"},{"product_id":"unionen-unionen","title":"Unionen  -  Unionen","description":"\u003cp\u003e\u003cspan\u003eUnionen is a new quartet of four star-level Norwegian and Swedish jazz musicians. The group takes its name from the United Kingdoms of Sweden and Norway under a common monarch 1814-1905 and brings together Ståle Storløkken (Supersilent), Per \"Texas\" Johansson, Petter Eldh (Koma Saxo) and Gard Nilssen (Supersonic Orchestra). It's not hip to say \"supergroup\" but this sure is one super of a group, with each member contributing to the band sound that is unique in all the best possible ways. From misty introspection to proper rock-out-hard-jazz, Unionen is set out to blaze their own trail. Tracks such as opener \"Ståhlbad\" draw you in with their subtle intensity, while the \"rock cut\" on the album, \"6983\" brings forth energy that sounds very much \"live\". Whatever Unionen do, you can feel they've been around the block a time or too, and are not just opting for easy licks to wow the listener. This is deep music that is set to stand the test of time in its originality. Early live shows of Unionen have been triumphant, with UK's Jazzwise calling them a \"highlight scoop\" at the Cologne Jazzweek.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album consists of eight originals, each of which defies clear classification. The compositions, including writing credits by all four members in a true fashion of the \"unionen\", display a genuine musical storytelling desire, matched by the ability to build a\u003c\/span\u003e\u003cspan\u003e narrative that holds the listener close. On the instrumentation side of things, you hear classics like grand piano, fender rhodes, double bass and drums, but also jazz rarities like cor anglais, contrabass clarinet and mpc. It's all part of a coherent sound image so you'll likely not think of how stuff was made but how it makes you feel. Unionen's music is highly emotive, more autumn than summer, more misty than sunny, more evening than midday, and first and foremost more unified than separated. No need for a monarch here, this is true democracy in the form of a jazz quartet.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dreamhouse Records","offers":[{"title":"LP","offer_id":55963845296514,"sku":"DHR-05154","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/fb4293433a5ea774ef7f477fb972d978.jpg?v=1763065612"},{"product_id":"أحمد-ahmed-سماع-samaa-audition","title":"أحمد [Ahmed]  -  سماع [Sama'a] (Audition)","description":"[Ahmed] return with سماع [Sama’a] (Audition) — their first studio recording and the first of two releases from sessions at North London’s Fish Factory. Since forming in 2014, the quartet have reimagined the music of Ahmed Abdul-Malik, fusing his cross-cultural jazz vision with their own forward-thinking improvisations.\u003cbr\u003e\n\u003cbr\u003e\nWorking with engineer Benedic Lamdin, the group recorded live in the Fish Factory’s high-ceilinged room, preserving their on-stage chemistry while exploring new sonic perspectives. For the first time, they could sit together between takes and shape their sound for the listener rather than the audience — a key shift in their creative process.\u003cbr\u003e\n\u003cbr\u003e\nThe album revisits Abdul-Malik’s 1958 landmark Jazz Sahara, a fusion of Arabic and North African modes with late-Fifties jazz. Recorded in single takes, سماع [Sama’a] reworks the entire suite, transforming ‘Farah ’Alaiyna’ into a driving, kinetic piece while unveiling previously unrecorded compositions ‘Ya Annas [Oh, People]’ and ‘Isma’a [Listen]’.\u003cbr\u003e\n\u003cbr\u003e\nThe result is a radiant, exploratory record — four interlocking pieces that stretch and shimmer with the imagination that defines [Ahmed]’s remarkable sound world.","brand":"Otoroku","offers":[{"title":"LP","offer_id":55980693553538,"sku":"DHR-05081","price":33.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/e68927af3ddb0792bc4feea11493ac1d.jpg?v=1763415504"},{"product_id":"jean-jacques-perrey-harry-breuer-the-happy-moog","title":"Jean Jacques Perrey \u0026 Harry Breuer  -  The Happy Moog","description":"\u003cp\u003eWelcome to the future that never quite arrived... Percolating circuits, pumping valves and delirious Space-Age Pop! \u003cbr\u003e\u003cbr\u003eRecorded in New York City in 1969, 'The Happy Moog' is the great 'lost' Jean Jacques Perrey album.\u003cbr\u003e\u003cbr\u003eWaxed for the budget Pickwick Records label, the LP was the creation of Moog virtuoso Perrey and renowned jazz percussionist Harry Breuer (though Jean Jacques could not be credited at the time, as he was under contract to Vanguard Records). Kindled by friendship and a fevered desire to explore, 'The Happy Moog' offers a delightful melange of crypto-Ragtime melodies, berserk tape-manipulation interruptions and Technicolor absurdist triumphs.\u003cbr\u003e\u003cbr\u003eOriginally imagined as a children's LP, the final result held a timeless reverie of surreal optimism, futuristic soundscapes and sophisticated arrangements. Cut in a purpose-built 4-track studio with rhythms programmed on the then state-of-the-art Rhythm Ace drum machine, 'The Happy Moog' is a quasi-psychedelic explosion of Moog mayhem and retro-futurism.\u003c\/p\u003e","brand":"Iron Mountain Analogue Research","offers":[{"title":"LP","offer_id":56041378939266,"sku":"DHR-04637","price":43.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/4f7b38c7e52aa0a667c636dcd074310a.jpg?v=1764864395"},{"product_id":"doug-carn-soul-jazz-records-presents-doug-carn-the-best-of-doug-carn","title":"Doug Carn  -  Soul Jazz Records presents Doug Carn – The Best of Doug Carn","description":"\u003cp\u003eThis album brings together key tracks from Doug Carn recorded for Black Jazz Records in the 1970s. \u003cbr\u003e\u003cbr\u003eDoug Carn is one of the most-important (and least-recognised) forces in the creation of the canon of 'deep and spiritual jazz music' - full of powerfully emotive intensity, consciously-uplifting lyricism and addictively beautiful melodies.\u003cbr\u003e\u003cbr\u003eAll of his LPs during this period have since achieved cult classic status including 'Infant Eyes', 'Adam's Apple', 'Spirit of the New Land' and 'Revelation'.\u003cbr\u003e\u003cbr\u003eAside from his songwriting and keyboard skills, many of the tracks here feature the stunning and powerful 5-octave range vocals of Jean Carn (later Carne), his wife at the time.\u003cbr\u003e\u003cbr\u003eMusicians featured on this album include Alphonse Mouzon, Charles Tolliver, Henry Franklin, Michael Carvin, Walter Booker, Ronnie Laws and others. Aside from Carn’s compositions there are also striking interpretations of music by Lee Morgan, Miles Davis, John Coltrane, McCoy Tyner, Bobby Hutcherson and Wayne Shorter.\u003cbr\u003e\u003cbr\u003eBlack Jazz became one of the defining labels of independent and conscious jazz music in the 1970s alongside other important labels such as Strata-East and Tribe Records. As well as this Best of Doug Carn release, Soul Jazz Records are also releasing a Best of Black Jazz Records collection at the same time.\u003c\/p\u003e","brand":"Soul Jazz Records","offers":[{"title":"2LP","offer_id":56274194203010,"sku":"DHR-05426","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/dfa44dfd0060d2dc008b40d2a607ce1e.png?v=1769466928"},{"product_id":"pharoah-sanders-elevation-verve-vault","title":"Pharoah Sanders  -  Elevation (Verve Vault)","description":"\u003cp\u003eElevation is a 1974 album by Pharoah Sanders that deepens his spiritual jazz language through a balance of ecstatic freedom and disciplined group interplay. Produced by Ed Michel and recorded in 1973 across two live performances and a studio session, the album brings together a focused ensemble featuring Joe Bonner (piano), Calvin Hill (bass), and Michael Carvin (drums).\u003cbr\u003e\u003cbr\u003eBuilt around open structures and modal foundations, the music moves patiently, allowing themes to unfold through repetition, collective momentum, and subtle shifts in texture. Chant-like melodies, circular motifs, and immersive rhythms give pieces such as 'The Gathering' and the title track a calm, searching intensity, revealing a more reflective side of Sanders’ sound without losing its emotional power.\u003cbr\u003e\u003cbr\u003ePositioned near the end of Sanders’ time with Impulse!, Elevation stands as a cohesive and assured statement. It connects the fiery expansiveness of his earlier work with a more spacious, inward-looking approach, capturing an artist refining his ideas while remaining committed to music as a vehicle for spiritual and cultural expression.\u003c\/p\u003e","brand":"Verve","offers":[{"title":"LP","offer_id":56274196955522,"sku":"DHR-05442","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/d23e79e26ba89676c9f01674b611aaed.jpg?v=1769466830"},{"product_id":"alice-coltrane-the-ecstatic-music-of-alice-coltrane-turiyasangitananda","title":"Alice Coltrane  -  The Ecstatic Music Of Alice Coltrane Turiyasangitananda","description":"\u003cp\u003e\u003cstrong\u003eReleased: 21\/04\/23\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you do decide to dabble in the delights of Big Black's negativist classic, post-listen you may well, like me, need an immediate shot of auraI joy, cause, you know, too much nihilism makes Jack a sadboi. As such, I would advise a healthy dose of the ineffably beautiful\u003cem\u003eThe Ecstatic Music of ... .\u003c\/em\u003eCulled from cassettes recorded while the legendary pianist, composer and spiritual leader Alice Coltrane was living on an ashram in the 80s and 90s (Turiyasangitananda is her adopted Sanskrit name), the collection represents the most intense and unusual work in the artist's remarkable career.\u003c\/p\u003e\n\u003cp\u003eLed by effervescent synth drones and Sanskrit-language chants, the pieces here feel less like music than collective meditation, charting a path from Coltrane's youth in gospel choirs through the astral journeys of her jazz days to something startlingly new. Just try, for example, a track such as Rama Rama' and experience for yourself the sublime feeling of existential weightlessness it elicits.\u003cem\u003eShantih, Shantih, Shantih.\u003c\/em\u003e\u003c\/p\u003e","brand":"K7","offers":[{"title":"2LP","offer_id":56313621545346,"sku":"DHR-00742","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/3ff409c0293812c83cd55d104f432695.jpg?v=1770292973"},{"product_id":"irreversible-entanglements-future-present-past","title":"Irreversible Entanglements  -  Future, Present, Past","description":"\u003cp\u003eIrreversible Entanglements return to Impulse! with Future Present Past, their second recording for the label and a bold continuation of their ecstatic, politically charged sound. Largely recorded at Van Gelder Studio, the album brings together atmospheric jazz, global music traditions and spoken word in a sweeping meditation on time — possibility in the future, instability in the present, and ancestral knowledge carried forward from the past.\u003cbr\u003e\u003cbr\u003eFormed in Brooklyn in 2015, the quintet — Camae Ayewa (Moor Mother), Luke Stewart, Aquiles Navarro, Keir Neuringer and Tcheser Holmes — operate as a single, responsive unit. Ayewa’s voice moves between incantation and exhortation, while trumpet and saxophone spiral above a restless, propulsive rhythm section.\u003cbr\u003e\u003cbr\u003eWhere their previous Impulse! release Protect Your Light drew widespread acclaim, Future Present Past pushes further, grounding its urgency in lineage and collective struggle. It’s music that honours those who came before while insisting on new ways of seeing, hearing and being.\u003c\/p\u003e","brand":"Verve","offers":[{"title":"LP","offer_id":56397827506562,"sku":"DHR-05599","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/a0976a3eef13517c5acab1991086de90.jpg?v=1771614353"},{"product_id":"cosmic-ear-traces","title":"Cosmic Ear  -  TRACES","description":"Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfeš, Kansan Zetterberg and Juan Romero. Their debut album TRACES is released by We Jazz Records on 23rd of May, 2025. Including 6 deep cuts, TRACES is an album that sees Cosmic Ear tracking down the \"traces\" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression.\u003cbr\u003e\n\u003cbr\u003e\nChrister Bothén, a collaborator with Don Cherry during his Swedish period in the 1970s, brings depth to the history of the band, while his bandmates each belong at the top of the game in Scandinavian jazz. Their music is meditative and deep, much recommended for fans of the likes of Don Cherry, Alice Coltrane, and Pharoah. That being said, listeners should approach Cosmic Ear only with openness and curiosity, without set stylistic boundaries, as it's the group's natural flow and togetherness that brings their music into a fresh territory of their own.\u003cbr\u003e\n\u003cbr\u003e\nAs John Corbett writes in his liner notes:\u003cbr\u003e\n\u003cbr\u003e\n\"The Cosmic Ear. Five souls, sometimes six, on the same road. The pied piper path of Mr. Cherry. Christer Bothén, one of Cherry’s main collaborators in his Swedish period and one of the most beautiful bass clarinetists on planet earth, together with next-gen saxophonist Mats Gustafsson, who has carried so many torches in Cherry’s procession, and younger Swedish stars trumpeter Goran Kajfes, bassist Kansan Zetterberg, and percussionist Juan Romero. Together a tempo is set, a path is charted. There are global grooves. A berimbau, a karignan (metal scraper from Guinea), donso n’goni. There are ET grooves. Synth, live-electronics, slide flute. The globe is a glove, a hand warmer that radiates with extraterrestrial power, returning the fingers to their place at the center of the galaxy; the Cherry path is a balm that restores essential moisture to the lips that blow life back into the megacosm. Let us all praise warm fingers and moist mouths.\" \u003cbr\u003e\n\u003cbr\u003e","brand":"We Jazz","offers":[{"title":"LP","offer_id":56462190838146,"sku":"DHR-06306","price":22.79,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/4acf9f8d2a070d9899b60267c9cebd2e.jpg?v=1773308415"},{"product_id":"matt-gold-dustin-laurenzi-devotional-fade","title":"Matt Gold \u0026 Dustin Laurenzi  -  Devotional Fade","description":"\u003cp\u003e\u003cspan\u003eMatt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo’s hypnotic interplay. This is the sound of two of Chicago’s most vibrant instrumental voices listening deeply, communing in sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded in Laurenzi’s attic studio, Devotional Fade emerged from a series of weekly sessions over the course of a single month. The duo kept the tape rolling continuously each day and selected a number of immersive sonic worlds to present, oscillating between patient, sacred minimalism and wild, dancefloor-worthy combustion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe pair set two parameters to heighten the sessions’ stakes: editing would be kept to a minimum, and a rule of “no pitched overdubs” was put in place – ensuring that all melodic and harmonic gestures would have to be committed in real time. Laurenzi and Gold held true, only sparingly adding a stray shaker or brush to these already largely complete improvisations. Devotional Fade is imbued\u003c\/span\u003e\u003cspan\u003e with quiet propulsion and ecstatic repetition.\u003cbr\u003e\u003cbr\u003e\/\/\/\u003cbr\u003e\u003cbr\u003eMatt Gold is a guitarist, multi-instrumentalist, songwriter, and producer based in Chicago, IL. His work pulls from diverse traditions of electric and acoustic music. Matt has performed across six continents and contributed to over fifty recordings as a collaborator and instrumentalist, garnering critical praise from Pitchfork for playing “one of the most exhilarating guitar solos of recent memory, in any genre.”\u003cbr\u003e\u003cbr\u003eHis own recordings have been praised for being “accessible, yet healthily unconstrained by genre and sure of its own identity” (UK Vibe) and for \"effortlessly embodying his own dialect—defined by varied, spacious soundscapes, innovative improvisational flourishes and rich harmony\" (Downbeat Magazine). Gold’s debut solo release Imagined Sky (Whirlwind Recordings) displays his penchant for concise melody and an exploratory palette of abstracted Americana; Midnight Choir (Ruination Recording Co.) delves more explicitly into Gold’s deft songwriting and imaginative production. His collaborative LP with Resavoir, Horizon (International Anthem), further highlights his multi-instrumentalist and production instincts across the record’s orchestral palette.\u003cbr\u003e\u003cbr\u003eGold has several long-running collaborative bands spanning jazz, folk, experimental, and chamber music including Sun Speak, Storm Jameson, and Tin. He performs and records with an array of creative artists including Makaya McCraven, Marquis Hill, Jamila Woods, Natalie Merchant, and Greg Ward. Gold co-curates the record label and concert series Flood Music.\u003cbr\u003e\u003cbr\u003eDustin Laurenzi is a saxophonist, improviser and composer based in Chicago, IL. An active member of the city’s creative music community, he leads and co-leads several projects, including Twin Talk, Edith Judith, Snaketime, and Natural Language.\u003cbr\u003e\u003cbr\u003eLaurenzi’s work as a collaborator and sideperson includes projects led by Macie Stewart, Matt Ulery, Katie Ernst, and Juan Pastor. As a recording artist, he has released several albums of his music, including A Better Ghost (2022) with Laurenzi\/Cunningham\/Bryan on Northern Spy Records, described by DownBeat as \"...a moodily poetic and genre-bending jewel...\". His long-running collaborative trio Twin Talk released their fourth studio album Twin Talk Live in 2024 on Shifting Paradigm Records.\u003cbr\u003e\u003cbr\u003eLaurenzi is a member of songwriter Bill Callahan’s touring band and is featured on Callahan’s 2024 album Resuscitate!. He has also toured with Bon Iver, appearing on the band’s 2016 release 22, A Million, with performances at Coachella, Primavera Sound, and the Hollywood Bowl.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"We Jazz","offers":[{"title":"LP","offer_id":56462192116098,"sku":"DHR-06308","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/7d38c8c0d1ec88979345abbd6d317585.jpg?v=1773308428"},{"product_id":"vladislav-delay-quintet-vd5","title":"Vladislav Delay Quintet  -  vd5","description":"\u003cp\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.\u003cbr\u003e\u003cbr\u003eBased in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What \"jazz\" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. 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