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And so, accompanied by long-time touring companions, bassist Max Ridley and harpist Charles Overton – with whom she’s toured over a decade, describing them as “two of [her] most precious friends and teachers” – she entered the hallowed Funkhaus with Frahm behind the desk.\u003cbr\u003e\u003cbr\u003eNilam’s central theme, Ganavya confesses, is “doing what we need to do to keep carrying on.” This perhaps isn’t surprising given her touring not one but two albums in a single year. Earlier in 2024, she’d released the equally acclaimed like the sky i've been too quiet, recorded with Shabaka Hutchings, and a debut single for Leiter, ‘Draw Something Beautiful’, arrived soon after in July. “I feel like I barely made it out this past touring cycle,” she says. “Some days are good, and some days are bad. But the actual singing is always good. I realised, with every bone in my body, that unless you absolutely, absolutely want to be a musician, there's just no sense doing this professionally. 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Five souls, sometimes six, on the same road. The pied piper path of Mr. Cherry. Christer Bothén, one of Cherry’s main collaborators in his Swedish period and one of the most beautiful bass clarinetists on planet earth, together with next-gen saxophonist Mats Gustafsson, who has carried so many torches in Cherry’s procession, and younger Swedish stars trumpeter Goran Kajfes, bassist Kansan Zetterberg, and percussionist Juan Romero. Together a tempo is set, a path is charted. There are global grooves. A berimbau, a karignan (metal scraper from Guinea), donso n’goni. There are ET grooves. Synth, live-electronics, slide flute. The globe is a glove, a hand warmer that radiates with extraterrestrial power, returning the fingers to their place at the center of the galaxy; the Cherry path is a balm that restores essential moisture to the lips that blow life back into the megacosm. 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This is the sound of two of Chicago’s most vibrant instrumental voices listening deeply, communing in sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded in Laurenzi’s attic studio, Devotional Fade emerged from a series of weekly sessions over the course of a single month. The duo kept the tape rolling continuously each day and selected a number of immersive sonic worlds to present, oscillating between patient, sacred minimalism and wild, dancefloor-worthy combustion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe pair set two parameters to heighten the sessions’ stakes: editing would be kept to a minimum, and a rule of “no pitched overdubs” was put in place – ensuring that all melodic and harmonic gestures would have to be committed in real time. Laurenzi and Gold held true, only sparingly adding a stray shaker or brush to these already largely complete improvisations. Devotional Fade is imbued\u003c\/span\u003e\u003cspan\u003e with quiet propulsion and ecstatic repetition.\u003cbr\u003e\u003cbr\u003e\/\/\/\u003cbr\u003e\u003cbr\u003eMatt Gold is a guitarist, multi-instrumentalist, songwriter, and producer based in Chicago, IL. His work pulls from diverse traditions of electric and acoustic music. Matt has performed across six continents and contributed to over fifty recordings as a collaborator and instrumentalist, garnering critical praise from Pitchfork for playing “one of the most exhilarating guitar solos of recent memory, in any genre.”\u003cbr\u003e\u003cbr\u003eHis own recordings have been praised for being “accessible, yet healthily unconstrained by genre and sure of its own identity” (UK Vibe) and for \"effortlessly embodying his own dialect—defined by varied, spacious soundscapes, innovative improvisational flourishes and rich harmony\" (Downbeat Magazine). Gold’s debut solo release Imagined Sky (Whirlwind Recordings) displays his penchant for concise melody and an exploratory palette of abstracted Americana; Midnight Choir (Ruination Recording Co.) delves more explicitly into Gold’s deft songwriting and imaginative production. His collaborative LP with Resavoir, Horizon (International Anthem), further highlights his multi-instrumentalist and production instincts across the record’s orchestral palette.\u003cbr\u003e\u003cbr\u003eGold has several long-running collaborative bands spanning jazz, folk, experimental, and chamber music including Sun Speak, Storm Jameson, and Tin. He performs and records with an array of creative artists including Makaya McCraven, Marquis Hill, Jamila Woods, Natalie Merchant, and Greg Ward. Gold co-curates the record label and concert series Flood Music.\u003cbr\u003e\u003cbr\u003eDustin Laurenzi is a saxophonist, improviser and composer based in Chicago, IL. An active member of the city’s creative music community, he leads and co-leads several projects, including Twin Talk, Edith Judith, Snaketime, and Natural Language.\u003cbr\u003e\u003cbr\u003eLaurenzi’s work as a collaborator and sideperson includes projects led by Macie Stewart, Matt Ulery, Katie Ernst, and Juan Pastor. As a recording artist, he has released several albums of his music, including A Better Ghost (2022) with Laurenzi\/Cunningham\/Bryan on Northern Spy Records, described by DownBeat as \"...a moodily poetic and genre-bending jewel...\". His long-running collaborative trio Twin Talk released their fourth studio album Twin Talk Live in 2024 on Shifting Paradigm Records.\u003cbr\u003e\u003cbr\u003eLaurenzi is a member of songwriter Bill Callahan’s touring band and is featured on Callahan’s 2024 album Resuscitate!. He has also toured with Bon Iver, appearing on the band’s 2016 release 22, A Million, with performances at Coachella, Primavera Sound, and the Hollywood Bowl.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"We Jazz","offers":[{"title":"LP","offer_id":56462192116098,"sku":"DHR-06308","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0556\/2800\/5583\/files\/7d38c8c0d1ec88979345abbd6d317585.jpg?v=1773308428"},{"product_id":"vladislav-delay-quintet-vd5","title":"Vladislav Delay Quintet  -  vd5","description":"\u003cp\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. 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