‘Amorpha’, a side-long shower of synthetic bells and bass, as patterns interlock and repeat and the beat within the bar lines shifts constantly, forms a new, latest miniature of infinity. You flip it, and ‘Geomancy’ resets you, starting anew, with heavy drift and drone leading into a space of shorter broken lines and MiddleEastern tonalities, that roll back into ether again - new spaces, but mysteriously consonant with the vibe.
‘Bajascillators’ arrives almost five years since their last official full length, 2017’s ‘Bajas Fresh’. In the eight years prior to ‘Bajas Fresh’, Bitchin Bajas issued seven albums, plus cassettes, EPs, singles… wave after wave of analogue synth tones and zones extending into a stratospheric arc. Each release its own headspace, shape and timbre, each one sliding naturally into their implacable, eternal gene pool.
Following the flow, always, the Bajas went ever-deeper-and-higher on these records, whether making soundtracks or collaborating with Bonnie ‘Prince’ Billy, using only fortune cookie fortunes as alibretto. Plus engagement, with a steady stream of shows and tours around the world; live re-airings and expansions of the space captured in their records as they continued to grow and flow - all the way through, really, to the present moment.
Plus, there have been releases since 2017 - a split 12”, a 7”single, digital track release and two ‘Cuts’ cassettes, plus the all covers cassette release ‘Switched On Ra’. But the overall numberof releases, plus the five years between long players, implies a potential distance between phases, a new line in the sand. The sound of Bajascillators bear this out. How couldn’t it? Compared to2017, this is a different world.
Mastered directly from half-inch analogue tape, ‘Bajascillators’ floats transparently from the speakers, its expansive grooves gathering resonance and building momentum over the four sides, from genesis to re-conclusion, cascading ecstatically. The elastic magic of time at its brightest. As the world keeps turning, so too do Bitchin Bajas, in the same unknowable way. You can’t explain it -just keep turning.