At The Carousel Ballroom is an historic and never-before-heard live concert recorded in 1968 in San Francisco by innovative sound wizard Owsley Stanley. Captured in the heart of Haight-Ashbury, just days before the release of Cash’s iconic At Folsom Prison album (and over six months before the arrival of the equally revered At San Quentin), this album serves as a third essential – and wholly unique – live document from the era, a moment of cultural collision, with Cash leaning into songs about society’s outcasts, while playing a venue operated by The Jefferson Airplane and Grateful Dead.
The album is accompanied by new essays from Johnny and June Carter Cash’s son John Carter Cash, Owsley Stanley’s son Starfinder Stanley, The Grateful Dead’s Bob Weir, and Widespread Panic’s Dave Schools, as well as new art by Susan Archie, and a reproduction of the original Carousel Ballroom concert poster by Steve Catron.
At The Carousel Ballroom captures Cash at the height of his charismatic powers, in playful and powerful dialogue with his then-new bride June Carter, and backed by his legendary band The Tennessee Three (guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland). His set list that evening diverged from other concerts of the time, as Cash chose to cover two Bob Dylan compositions (“Don’t Think Twice It’s Alright,” and his earliest known recording of “One Too Many Mornings”) and perform songs of the overlooked and underserved such as “The Ballad of Ira Hayes.”