Various Artists - Let Me Perish Without Return: Lament and Longing from the Fading Russian Empire, 1889-1917

Let Me Perish Without Return: Lament and Longing from the Fading Russian Empire, 1889-1917
by Various Artists

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bandfan25 The short answer to the ending question: because it's frickin' great! But seriously, this is a wonderful collection of soulful tunes, whether they be playful, somber, celebratory or mournful. Even in anxiety and uncertainty, beauty springs.
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Y. Morfessi - You Ask for Songs 00:00 / 02:18
Digital Album
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Limited Edition LP
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Includes unlimited streaming of Let Me Perish Without Return: Lament and Longing from the Fading Russian Empire, 1889-1917 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 16-bit/44.1kHz.
shipping out on or around June 12, 2026
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Limited Edition Cassette
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Includes unlimited streaming of Let Me Perish Without Return: Lament and Longing from the Fading Russian Empire, 1889-1917 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Full Digital Discography

118
releases
Get all 118 Death Is Not The End releases available on Bandcamp and save 20%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Curse You, Foreign Lands, Move on Up / Darker Than Blue, The Pain of Separation: Turkish Gazels, 1926-1935, Blood Blood Song, Iivana Mišukka, Digging Central Asia: Musical Archaeology along the Silk Road, Sounds of the Modern Hospital, Have You Heard About the World Coming to an End?, and 110 more.

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1.
S. Sadovnikov - Let Me Perish Without Return 02:34
2.
Bogemski & Mironova - In the Harem 02:17
3.
Y. Morfessi - You Ask for Songs 02:18
4.
V. Kriger - Conversation Between the Audience and the Gramophone 03:17
5.
N. Plevitskaya - The Horse Drags Along Quietly 02:35
6.
Unknown Artists - Unknown Song 03:00
7.
D. Ershov - Tell Me, Comrade, How Did You End up in the Mine? 02:54
8.
Borin & Dmitrievsky - No, No, I Don’t Want 03:02
9.
Bragin - Do You Remember, Comrade Constant? 02:42
10.
N. Tamara - Swan Song 02:29
11.
Mikhailova - In the Midnight Silence 02:42
12.
L. Sibiryakov - Star, Forgive Me, It’s Time for Me to Sleep 03:06
13.
M. Komarova - Have Pity 02:35
14.
M. Vavich - Have Pity 02:30
15.
Orlov & Romanchenko - Nastenka 02:47
16.
N. Shevelev - The Song of a Convict 03:04
17.
Unknown Artists - Unknown Song 02:51
18.
N. Dulkevich - The Last Five Roubles 02:21
19.
A. Zharkovsky - Our Tormented, Tortured Brother Craftsman 03:19
20.
F. Shalyapin - The Sun Rises and Sets 03:21
about
Our next release with Gary Sullivan's Bodega Pop project - rooted in a passion for digging for music in bodegas and cell-phone stores across NYC's boroughs. This edition focuses in on early recordings found in Russian neighborhoods in Brooklyn & Queens.

"At the turn of the last century, the Russian Empire stood at a crossroads, caught between the weight of its imperial past and the promise of a radically altered future. Recorded during a period of profound cultural transformation and unrest, the music collected here offers a haunting glimpse into that fragile moment in history. From playful and satirical melodies that were musichall staples to heartbreaking ballads reflecting the despair of those exiled to Siberian penal colonies, these songs provided both refuge and a reflection of the deep suffering experienced by many living under the regime. More than entertainment, they formed essential strands in the Russian cultural fabric of the time—songs sung in drawing rooms and taverns and on street corners and prison grounds.

I found this music in several gift and media stores in Forest Hills, Queens, and the Brighton Beach and Gravesend neighborhoods of Brooklyn. These and a few other communities are home to more than half a million people of Russian background currently living in New York City, many of them refugees. Back in the aughts and teens, when I was collecting music from New York’s innumerable immigrant-run stores, I would always wonder why this music, why here, and why now.

The CDs immigrants stocked on their New York shelves in the 2000s and 2010s was a tiny fraction of what was available in their home countries. The Russians were in the minority of those who consistently carried compilations of early 20th century recordings—the Chinese, Egyptian, Greek, and Turkish shopkeepers were the only others I remember off the top of my head as being particularly dedicated to this period of their musical history.

What was the appeal of such old music? First-generation Russian New Yorkers might have experienced in it a reflection of their own feelings of displacement and uncertainty. The deep sorrow and yearning expressed in these songs may have resonated with their own senses of loss while offering comfort in the form of shared emotional experience. Perhaps it was a way to keep some cultural memory alive in something they knew had once accompanied their elders and ancestors through times of hardship and change.

What is the appeal of such old music for us, today?"

-- Gary Sullivan (Bodega Pop)